In 2006, Hernández introduced a romantic conflict between two young men, in a university context. The film receives a better reception but does not manage to obtain a good diffusion. In 2009, for the first time, with Rabioso sol, rabioso cielo (Enraged Sun, Enraged Sky), the distribution of a Hernández film was guaranteed from the start. Three great films and a few decades of cinema were necessary to break down the homophobic barriers that have long hindered the path of cinematographic fiction. In https://real-primewire.com you will have the best choices for the best films now.
With Hernández’s films, Mexican cinema is reaching an aesthetic maturity worthy of praise. In black and white, and in color, the filmmaker demonstrates mastery of tonal composition. Through leaps into the past and projections into the future, it is possible to know in depth the feelings and desires of its characters. Through close-ups of a fragmented body, Hernández constructs a homo-erotic subjectivity never seen before in Mexican cinematography. This director’s contribution to the Mexican cinematographic universe is comparable to that of authors such as Ripstein or Iñárritu.
Finally, a film sums up what has been exposed so far: El Cobrador. In …Read More